The Nuragic civilization, also known as the Nuragic culture, formed in the Mediterranean island of Sardinia, Italy in the Bronze Age. According to the traditional theory put forward by Giovanni Lilliu in 1966, it developed after multiple migrations from the West of people related to the Beaker culture who conquered and disrupted the local Copper Age cultures; other scholars instead hypothesize an autochthonous origin. It lasted from the 18th century BC (Middle Bronze Age), up to the Iron Age or until the Roman colonization in 238 BC.G. Lilliu (1999) p. 11 Others date the culture as lasting at least until the 2nd century AD, and in some areas, namely the Barbagia, to the 6th century AD,Rowland, R. J. “When Did the Nuragic Period in Sardinia End.” Sardinia Antiqua. Studi in Onore Di Piero Meloni in Occasione Del Suo Settantesimo Compleanno, 1992, 165–175. or possibly even to the 11th century AD. Although it must be remarked that the construction of new nuraghi had already stopped by the 12th-11th century BC, during the Final Bronze Age.Nel BF numerosi indizi portano a supporre che i caratteri e l’assetto territoriale formatisi nel BM e BR, con l’edificazione dei nuraghi, subiscano mutamenti sostanziali che portano alla fine del fenomeno di costruzione di tali monumenti. No more new nuraghi were built after this period. Usai proposed that time and effort spent on their construction were no longer deemed proportional to their practical and symbolic use
It was contemporary with, among others, the Mycenaean civilization in Greece, the Apennine culture and Terramare cultures of the Italian peninsula, the Thapsos culture of Sicily, and the final phase of the El Argar culture in the Iberian peninsula.
The adjective "Nuragic" is neither an autonym nor an ethnonym. It derives from the island's most characteristic monument, the nuraghe, a tower-fortress type of construction the ancient Sardinians built in large numbers starting from about 1800 BC. Today, more than 7,000 nuraghes dot the Sardinian landscape.
No written records of this civilization have been discovered, apart from a few possible short epigraphic documents belonging to the last stages of the Nuragic civilization. The only written information there comes from classical literature of the Ancient Greece and Ancient Rome, such as Pseudo-Aristotle and Diodorus Siculus, and may be considered more mythical than historical.
Remains from this period include hundreds of (called perdas fittas) and , more than 2,400 hypogeum tombs called domus de Janas, the , representing warriors or female figures, and the Step pyramid of Monte d'Accoddi, near Sassari, which show some similarities with the monumental complex of Los Millares (Andalusia) and the later in the Balearic Islands. According to some scholars, the similarity between this structure and those found in Mesopotamia is due to cultural influxes coming from the Eastern Mediterranean.Ercole Contu, Sardegna Archeologica – L'Altare preistorico di Monte D'Accoddi, p. 65
The altar of Monte d'Accoddi fell out of use starting from c. 2000 BC, when the Beaker culture, which at the time was widespread in almost all western Europe, appeared on the island. The beakers arrived in Sardinia from two different regions: firstly from Spain and southern France, and secondly from Central Europe, through the Italian Peninsula.Giovanni Lilliu, Arte e religione della Sardegna prenuragica, p.132
The widespread diffusion of Bronze Age brought numerous improvements. With the new alloy of copper and tin (arsenical bronze), a harder and more resistant metal was obtained, suitable for manufacturing tools used in agriculture, hunting and warfare. At a later phase of this period (Bonnanaro A2) probably dates the construction of the so-called Protonuraghe, a platformlike structure that marks the first phase of the Nuragic Age. These buildings are very different from the classical nuraghe having an irregular planimetry and a very stocky appearance. They are more numerous in the central-western part of Sardinia, later they spread in the whole Island.Parkinson, E.W., McLaughlin, T.R., Esposito, C. et al.
Early Greek historians and geographers speculated about the mysterious nuraghe and their builders. They described the presence of fabulous edifices, called daidaleia, from the name of Daedalus, who, after building his labyrinth in Crete, would have moved to Sicily and then to Sardinia. Modern theories about their use have included social, military, religious, or astronomical roles, as furnaces, or as tombs. Although the question has long been contentious among scholars, the modern consensus is that they were built as defensible homesites, and that included barns and silos.The strict patterning in the landscape of tombs and nuraghes was analyzed by
In the second half of the 2nd millennium BC, archaeological studies have proved the increasing size of the settlements built around some of these structures, which were often located at the summit of hills. Perhaps for protection reasons, new towers were added to the original ones, connected by walls provided with slits forming a complex nuraghe.
Among the most famous of the numerous existing nuraghe, are the Su Nuraxi at Barumini, Santu Antine at Torralba, Nuraghe Losa at Abbasanta, Nuraghe Palmavera at Alghero, Nuraghe Genna Maria at Villanovaforru, Nuraghe Seruci at Gonnesa and Nuraghe Arrubiu at Orroli. The biggest nuraghe, such as Nuraghe Arrubiu, could reach a height of about 25–30 meters and could be made up of 5 main towers, protected by multiple layers of walls, for a total of dozens of additional towers. Museo Nazionale Archeologico di Nuoro, Il Sarcidano: Orroli, Nuraghe Arrubiu It has been suggested that some of the current Sardinian villages trace their origin directly from Nuragic ones, including perhaps those containing the root Nur-/Nor- in their name like Nurachi, Nuraminis, Nurri, Nurallao, and Noragugume.Francesco Cesare Casula, Breve storia di Sardegna, p. 25.
Soon Sardinia, a land rich in mines, notably copper and lead, saw the construction of numerous furnaces for the production of which were traded across the Mediterranean basin. Nuragic people became skilled metal workers; they were among the main metal producers in Europe, and produced a wide variety of bronze objects. New weapons such as swords, daggers and axes preceded drills, pins, rings, bracelets, statuettes and the votive boats that show a close relationship with the sea. Tin may have drawn Bronze Age traders from the Aegean where copper is available but tin for bronze-making is scarce.Tin as a draw for traders was first suggested in the essay on Sardinian metallurgy by N. Gale and Z. Gale in Miriam S. Balmuth, ed. Studies in Sardinian Archaeology 3 (Oxford, 1987). The first verifiable smelting slag has come to light, its appearance in a hoard of ancient tin confirms local smelting as well as casting.R. F. Tylecote, M. S. Balmuth, R. Massoli-Novelli (1983). "Copper and Bronze Metallurgy in Sardinia". Historia Metallica. 17 (2): 63–77.
The usually cited tin sources and trade in ancient times are those in the Iberian Peninsula or from Cornwall. Markets included civilizations living in regions with poor metal resources, such as the Mycenaean civilization, Cyprus and Crete, as well as the Iberian Peninsula, a fact that can explain the cultural similarities between them and the Nuraghe civilization and the presence in Nuragic sites of late Bronze Age Mycenaean, west and central Cretan and Cypriote ceramics, as well as locally made replicas, concentrated in half a dozen findspots that seem to have functioned as "gateway-communities".Miriam S. Balmuth, ed. Studies in Sardinian Archaeology 3: Nuragic Sardinia and the Mycenaean World (Oxford, 1987) presents papers from a colloquium in Rome, September 1986; the view of "gateway-communities" from the Mycenaean direction is explored in T.R. Smith, Mycenaean Trade and Interaction in the West Central Mediterranean, 1600–100 B.C., 1987.
Another hypothesis is that they came to the island around the 13th or 12th century after the failed invasion of Egypt; however, these theories remain controversial. Simonides of Ceos and Plutarch spoke of raids by Sardinians against the island of Crete, in the same period in which the Sea People invaded Egypt. This would at least confirm that Nuragic Sardinians frequented the eastern Mediterranean Sea.
Further proofs come from 13th-century Nuragic ceramics found at Tiryns, Kommos, Kokkinokremnos, Hala Sultan Tekke, Minet el-Beida and in Sicily, at Lipari, and the Agrigento area, along the sea route linking western to eastern Mediterranean; ceramics similar to those of late Bronze Age Sardinia have also been found in the Egyptian port of Marsa Matruh.
The archaeologist Adam Zertal has proposed that the Harosheth Haggoyim of Israel, home of the biblical figure Sisera, is identifiable with the site of "Ahwat" and that it was a Nuragic site suggesting that he came from the people of the Sherden of Sardinia. Influences of the Nuragic architecture at El-Ahwat have been noticed also by Bar Shay, from Haifa University.
The Carthaginians, after a number of military campaigns in which Mago died and was replaced by his brother Hamilcar, overcame the Sardinians and conquered coastal Sardinia, the Iglesiente with its mines and the southern plains. The Nuragic culture may have survived in the mountainous interior of the island. In 238 BC, the Carthaginians, after their defeat by the Ancient Rome in the first Punic War, surrendered Sardinia to Rome during the Mercenary War. Sardinia together with Corsica became a Roman province ( Corsica et Sardinia), however the Greek geographer Strabo confirms the survival, in the interior of the island, of Nuragic culture at least into the early Roman Empire period.
In the late final Bronze Age and in the Early Iron Age phases, the houses were built with a more complex plan, with multiple rooms often positioned around a courtyard; in the Nuragic settlement of Sant'Imbenia, located by the coast, some structures were not used for living purposes, but for the storing of precious metals, food and other goods and they were built around a huge square, interpreted by archaeologists as a marketplace.
The construction of rectangular houses and structures built with dried bricks is attested in some sites across the island since the late Bronze Age.
Water management was essential for the Nuragic people, most complex Nuraghi were provided with at least a well; Nuraghe Arrubiu, for example, presented a complex hydraulic implant for the drainage of water Another testimony to the Nuragic prowess in the creation of hydraulic implants is the aqueduct of Gremanu, the only known Nuragic aqueduct yet.
During the final phase of the Bronze Age and the early Iron Age Sardinia saw the development of proto urban settlements, with open spaces such as paved squares and streets, and structures devoted to specific functions such as metal workshops, the individual houses were provided with storing facilities and were served by infrastructures.
A key element of the Nuragic religion was that of fertility, connected to the male power of the Bull-Solar deity and the female one of Water-Lunar deity. According to the scholars' studies, there existed a Mediterranean-type Mother goddess and a God-Father ( Babai). An important role was that of mythological heroes such as Norax, Sardus, Iolaos and Aristaeus, military leaders also considered to be divinities.
The excavations have indicated that the Nuragic people, in determinate periods of the year, gathered in common holy places, usually characterized by sitting steps and the presence of a holy pit. In some holy areas, such as Gremanu at Fonni, Serra Orrios at Dorgali and S'Arcu 'e Is Forros at Villagrande Strisaili, there were rectangular temples, with central holy room housing perhaps a Fire worship. The deities worshipped are unknown but were perhaps connected to water, or to astronomical entities like Sun, Moon, and solstices.
Some structures could have a federal Sardinian role, such as the sanctuary of Santa Vittoria near Serri, which was one of the biggest Nuragic sanctuaries, spanning over 20 hectares, including both religious and civil buildings.According to Italian historian Giovanni Lilliu, it was there that the main clans of the central island held their assemblies to sign alliances, decide wars, or to stipulate commercial agreements. Spaces for trades were also present. At least twenty of such multirole structures are known, including those of Santa Cristina at Paulilatino and of Siligo; some have been re-used as Christian temples, such as the cumbessias of San Salvatore in Sinis at Cabras. Some ritual pools and bathtubs were built in the sanctuaries such as the pool of Nuraghe Nurdole, which worked through a system of raceways. Furthermore, there are evidences of cults practiced in the caves in honor of a chthonic deity, as attested by the artefacts found in the Pirosu Cave of Santadi.
The architecture of the Nuragic holy wells follows the same pattern as that of the nuraghe, the main part consisting of a circular room with a tholos vault with a hole at the summit. A monumental staircase connected the entrance to this subterranean (hypogeum) room, whose main role is to collect the water of the sacred spring. The exterior walls feature stone benches where offerings and religious objects were placed by the faithful. Some sites also had sacrificial altars. Some scholars think that these could be dedicated to Sardus, one of the main Nuragic divinities.
The holy well of Santa Cristina is aligned with the Moon, reflecting its light in a trapezoidal opening every 18.5 years, which corresponds to the duration of the Lunar Year. This alignment has been suggest to symbolizes the concept of generation, as every 18 years marks a new human generation.
A sacred pit similar to those of Sardinia has been found in western Bulgaria, near the village of Garlo.
They have a rectilinear form with the side walls that extend outwardly. Some, like that of Malchittu at Arzachena, are apsidal while others such as the temple of Sa Carcaredda at Villagrande Strisaili culminate with a circular room. They are surrounded by sacred precincts called temenos.
Sometimes multiple temples are found in the same location, such as in the case of the huge sanctuary of S'Arcu 'e Is Forros, where many megaron temples with a complex plant were excavated.
The largest and best preserved Sardinian Mégara is that called Domu de Orgia at Esterzili.
Large stone sculptures known as betili (a kind of slender menhir, sometimes featuring crude depiction of male sexual organs, or of female breasts) were erected near the entrance. Sometimes the tombs were built with an opus isodomum technique, where finely shaped stones were used, such as in the giant tombs of Madau or at Iloi.
They feature disc-shaped eyes and eastern-like garments. The statues probably depicted mythological heroes, guarding a sepulchre; according to another theory, they could be a sort of Pantheon of the typical Nuragic divinities. Their finding proved that the Nuragic civilization had maintained its peculiarities, and introduced new ones across the centuries, well into the Phoenician colonization of part of Sardinia.
According to Eduardo Blasco Ferrer, the Paleo-Sardinian language was akin to Proto-Basque and Iberian language with faint Indo-European traces, others believe it was related to Etruscan but this hypothesis does not enjoy consensus. Giovanni Ugas theorize that there were actually various linguistic areas (two or more) in Nuragic Sardinia, possibly Pre-Indo-Europeans and Indo-Europeans.
Several scholars, including Johannes Hubschmid, Max Leopold Wagner and Emidio De Felice, distinguished different pre-Roman linguistic substrates in Sardinia. The oldest, pan-Mediterranean, widespread in the Iberian Peninsula, France, Italy, Sardinia and North Africa, a second, Hispano-Caucasian substrate, which would explain the similarities between Basque and Paleo-Sardinian, and, finally, a Ligurian substrate.
Sardinia was rich in metals such as lead and copper. Archaeological findings have proven the good quality of Nuragic metallurgy, including numerous bronze weapons. The so-called "golden age" of the Nuragic civilization (late 2nd millennium BC, early 1st millennium BCE) coincided perhaps with the apex of the mining of metals in the island. The widespread use of bronze, an alloy which used tin, a metal which however was not present in Sardinia except perhaps in a single deposit, further proves the capability of the Nuragic people to trade in the resources they needed.
A 2013 study of 71 ancient Sweden bronze objects dated to Nordic Bronze Age, revealed that most of the copper utilized at that time in Scandinavia came from Sardinia and the Iberian peninsula. Iron working is attested on the island since the 13th century BC.
A 2024 survey about Late Bronze Age swords from the Balearic islands showed that metal used for their production also came from Sardinia, besides Iberia.
From the Late Bronze Age, amber, both from the Baltic and of unknown origin, appeared in Sardinia, coming via commercial traffic with continental Europe. Ambers, also worked locally, have been found both in residential contexts and in burials, sanctuaries and hoards.
A 2021 study by Villalba-Mouco et al. has identified a possible gene flow originating from the Italian peninsula starting from the Chalcolithic. In prehistoric Sardinia, the component associated with Iranian farmers, or Caucasus-related ancestry, present in Mainland Italy since the Neolithic (together with the EEF and WHG components), gradually increases from 0% in the Early Chalcolithic to about 5.8% in the Bronze Age. The absence of the component linked to the would instead exclude contributions from the Chalcolithic of the south of the Iberian Peninsula. According to a 2022 study by Manjusha Chintalapati et al., "In Sardinia, a majority of the Bronze Age samples do not have Steppe pastoralist-related ancestry. In a few individuals, we found evidence for steppe ancestry", which would arrive in ~2600 BC.Manjusha Chintalapati, Nick Patterson, Priya Moorjani (2022) The spatiotemporal patterns of major human admixture events during the European Holocene eLife 11:e77625 https://doi.org/10.7554/eLife.77625
Genetic data appears to support the hypothesis of a patrilocality society. In various sites, more genetic diversity was found in the mitochondrial DNA, suggesting that women may have moved from community to community more than the men.
History
Pre-Nuragic Sardinia
Nuragic era
Early Bronze Age
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Middle and Late Bronze Age
Sea Peoples connection
Iron Age
Carthaginian and Roman conquest
Society
Villages
Tribes
Culture
Religion
Holy wells
Roundhouses with basin
Megaron temples
Giant's graves
Art
Bronze statuettes
Giants of Mont'e Prama
Ceramics
Language
Economy
Paleogenetics
Proportions of the ancestral components of a group of Nuragic individuals
(1) - Data from Manjusha Chintalapati, Nick Patterson, Priya Moorjani (2022). Table J: qpAdm analysis of Neolithic Bronze Age groups per individual.
SUA003 10,6% SUA006 7,3% ORC003 7,6% ORC004 2,5% ORC005 8,9% ORC006 5,5% ORC007 4,8%
Physical appearance
In popular culture
Cinema and television
Opera
Music
See also
Footnotes
Sources
Further reading
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